{"id":19756,"date":"2024-02-12T15:39:50","date_gmt":"2024-02-12T20:39:50","guid":{"rendered":"https:\/\/newssprinters.com\/index.php\/entertainment\/second-city-expands-to-new-york\/12\/02\/2024\/"},"modified":"2024-02-12T15:39:50","modified_gmt":"2024-02-12T20:39:50","slug":"second-city-expands-to-new-york","status":"publish","type":"post","link":"https:\/\/newssprinters.com\/index.php\/entertainment\/second-city-expands-to-new-york\/12\/02\/2024\/","title":{"rendered":"Second City Expands to New York"},"content":{"rendered":"<p>\n<\/p>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">From the very beginning of the improv theater Second City, its name made clear that it wasn\u2019t a New York institution and didn\u2019t aspire to be.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">But after 65 years, the Chicago-based institution that has strongly influenced modern comedy is opening an outpost on Monday in Brooklyn, in what is the First City. It\u2019s a seemingly counterintuitive time to expand. Improv, once a thriving part of the comedy scene in New York, is at an ebb, and the <a class=\"css-yywogo\" href=\"https:\/\/www.nytimes.com\/2021\/08\/09\/arts\/television\/second-city-io-theater-chicago-improv-comedy.html\" title=\"\" target=\"_blank\" rel=\"noopener nofollow\">company itself has been through tough times<\/a>.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">Two weeks before the lights were set to officially go up, Ed Wells, Second City\u2019s chief executive, showed off its new 12,000-square-foot home on North Ninth Street in Williamsburg even as he acknowledged the headwinds facing the expansion.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">There is a 190-seat main stage theater with a wraparound mezzanine and a 50-seat black box theater for student shows. A training center with classes for amateurs as well as a career-track conservatory program. The Bentwood restaurant, named after the chair that Second City actors use onstage, sometimes as a prop.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">Wells said that the company was drawn to Williamsburg partly for its demographic mix. \u201cYou have a large local population that is looking for entertainment and nightlife and culinary experiences,\u201d he said, noting that it is also popular with tourists. \u201cYou\u2019re telling local New York stories that appeal to New Yorkers, but also appeal to the people that are coming to hear New York stories.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">The city\u2019s improv scene shrank during the pandemic when the <a class=\"css-yywogo\" href=\"https:\/\/www.nytimes.com\/2020\/04\/21\/arts\/ucb-new-york-virus.html\" title=\"\" target=\"_blank\" rel=\"noopener nofollow\">Upright Citizens Brigade<\/a> closed its New York theater and training center in 2020; the Magnet and the Pit also scaled back. Lockdowns were one culprit, but the financial model was also called into question. In 2020, Second City faced economic problems as well as new criticism about the company\u2019s lack of diversity and inclusion. In an open letter, company leaders wrote, \u201cWe are prepared to tear it all down and begin again.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">When it became clear that Second City would be sold, Stephen Colbert, the CBS late-night host and an alumnus, remembered wishing he could help. \u201cIt\u2019s got so much institutional history to it that it was never written down,\u201d he said in a video interview.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">Strauss Zelnick, head of the private equity group ZMC, who knew Colbert through CBS, called him and asked, \u201cWhat do you think of me buying Second City?\u201d<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">\u201c\u2018Great, as long as you understand that it\u2019s a theater \u2014 it\u2019s not intellectual property,\u2019\u201d Colbert recalled telling him. \u201c\u2018Those people onstage are artists. and you have to do everything to support them.\u2019\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">In February 2021, <a class=\"css-yywogo\" href=\"https:\/\/www.nytimes.com\/2021\/02\/18\/arts\/second-city-sold.html\" title=\"\" target=\"_blank\" rel=\"noopener nofollow\">ZMC acquired Second City<\/a>, which also has a location in Toronto.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">At Zelnick\u2019s suggestion, Colbert put together an artistic advisory board with what he called a murderers\u2019 row of Second City alumni, including Steve Carell, Tina Fey, Keegan-Michael Key, Julia Louis-Dreyfus and Robin Thede. Colbert also joined the company\u2019s board of directors.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">\u201cI want to know what you\u2019re planning,\u201d he said, noting that he was aware of the hurdles a new outpost in New York faces: \u201cMaybe they\u2019ll make money, maybe they won\u2019t. That is no never mind to me.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">Zelnick\u2019s commitment to an advisory board \u201ctells you a lot of what you need to know,\u201d Wells said. \u201cIt certainly has been my experiences that ZMC are here to provide resources for us to do the things that we want and need to do, without getting in the way or distracting.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">Jen Ellison, the artistic director of Second City, was excited when she learned that the company was expanding into Williamsburg. For a while she had been thinking that \u201cwe need to learn from New York, and have New York learn from what we can bring.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">That includes the Process, the almost reverential undertaking by which Second City develops new work. Cast members rotate in and out of revues, and after main stage performances, improvisational material is tested before audiences who choose to stay; the material is then honed according to the audience response. Once a scene is polished enough, it replaces another scene in the revue.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">\u201cAnd sort of like the ship of Theseus, by the end they actually have a completely different revue,\u201d said Ellison, who is directing the opener in Brooklyn. \u201cWe are certainly using some of the tools and skills that we have from Chicago. But the New York audience and how they help us shape our material will make it New York.\u201d<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">Alan Kliffer, the New York artistic director, is working as Ellison\u2019s associate as well as directing NYCO, an ensemble that performs sketches from the huge amount of Second City\u2019s archival material. \u201cWe\u2019re trying to think how can we engage our alumni here as well,\u201d he said.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">Cast members belong to Actors\u2019 Equity and are paid per a negotiated contract \u2014 something of a rarity in the comedy world. Tickets to main stage performances run<span class=\"css-8l6xbc evw5hdy0\">  <\/span>$39 to $79, and while food and beverages will be served in the theater, there is no minimum drink requirement, as there is in many comedy clubs.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">General auditions are held once a year in all three locations, and actors must be graduates of an improv and sketch comedy institution like the Second City Conservatory or the Upright Citizens Brigade to be considered.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">The first New York auditions, in May 2023, stirred up so much excitement that they had to be capped after some 800 entries piled up in three days.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">\u201cYou had so many different people of so many different backgrounds, whether that was cultural or professional or socioeconomic,\u201d Wells said. \u201cWe certainly have the most diverse cast we\u2019ve ever had on the stage, but we also have the most diverse pipeline of directorial talent and producer talent that we\u2019ve ever had.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">Yazmin Ramos, part of the main stage ensemble, went to Second City Chicago simply for an acting class \u2014 until she learned that Fey had gone there. That steered her to the acting conservatory, a writing program, some teaching and lots of auditioning.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">It took her five tries to land an understudy gig.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">While she was touring, Ramos was offered the New York main stage position, \u201cwhich was kind of the ultimate goal,\u201d she said. \u201cIt sounds like there was a trajectory, but it could really happen to anyone. What a dream. My 13-year-old self would love this.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">Ramos and her colleague Jordan Savusa were recipients of the Bob Curry Fellowship, which, with the Victor Wong Fellowship, provides tuition-free programs and mentoring to people from diverse backgrounds.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">Savusa got his foot in the Chicago door by working in the company\u2019s maintenance department. He is in good company: Colbert started in the box office.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">One of Savusa\u2019s favorite memories is rebuilding a sketch that John Candy wrote. \u201cWe stayed true to the script, but how we did it was our very own way,\u201d he said. \u201cTook it to a new generation, and it still hits.\u201d<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">Whether they\u2019ll admit it or not, is there a cast member who doesn\u2019t fantasize about being scouted by Lorne Michaels for \u201cSaturday Night Live\u201d?<\/p>\n<p class=\"css-at9mc1 evys1bk0\">\u201cOne of the things that\u2019s always important to understand about what we do here is you\u2019re seeing that next generation before they become Stephen Colbert and Tina Fey,\u201d Wells said. \u201cYou\u2019re seeing them cut their teeth. You\u2019re seeing them creating every single night in front of an audience, live.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">And then they get plucked up.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">By Colbert, perhaps? \u201cMore opportunities for young people who want to do comedy, to be able to do improvisation at a high level and turn that improvisation into scripting \u2014 well, that\u2019s only good for me,\u201d Colbert said.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">And he said Brooklyn, home to artists of many stripes, reminded him of Chicago when Second City was in its early years. \u201cIt attracted more than just people who were doing comedy,\u201d he said. \u201cIt attracted revolutionaries. And that\u2019s what I hope it becomes. It becomes a hub, not just a club.\u201d<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<p><a href=\"https:\/\/www.nytimes.com\/2024\/02\/12\/arts\/television\/second-city-brooklyn.html\" target=\"_blank\" rel=\"noopener nofollow\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>From the very beginning of the improv theater Second City, its name made clear that it wasn&rsquo;t a New York institution and<br \/><button class=\"read-more\"><a href=\"https:\/\/newssprinters.com\/index.php\/entertainment\/second-city-expands-to-new-york\/12\/02\/2024\/\">Read More &rsaquo;<\/a><\/button><\/p>\n","protected":false},"author":1,"featured_media":19758,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[9],"tags":[],"_links":{"self":[{"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/posts\/19756"}],"collection":[{"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/comments?post=19756"}],"version-history":[{"count":0,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/posts\/19756\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/media\/19758"}],"wp:attachment":[{"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/media?parent=19756"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/categories?post=19756"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/tags?post=19756"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}