{"id":19840,"date":"2024-02-13T05:12:53","date_gmt":"2024-02-13T10:12:53","guid":{"rendered":"https:\/\/newssprinters.com\/index.php\/entertainment\/jean-butler-choreographs-the-past-and-future-of-irish-dance\/13\/02\/2024\/"},"modified":"2024-02-13T05:12:53","modified_gmt":"2024-02-13T10:12:53","slug":"jean-butler-choreographs-the-past-and-future-of-irish-dance","status":"publish","type":"post","link":"https:\/\/newssprinters.com\/index.php\/entertainment\/jean-butler-choreographs-the-past-and-future-of-irish-dance\/13\/02\/2024\/","title":{"rendered":"Jean Butler Choreographs the Past and Future of Irish Dance"},"content":{"rendered":"<p>\n<\/p>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">Halfway through Jean Butler\u2019s \u201cWhat We Hold,\u201d the audience is invited to sit at a long table surrounded by 50 chairs, as if at a wedding banquet. Instead of place settings, three dancers are before them. As the audience settles in, voices begin to float through the room, like snatches of lost conversations.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">\u201cDancing was the poor man\u2019s game, you know,\u201d says one recorded voice. Another: \u201cIt was like he was telling you a story with his feet.\u201d As the voices recall the past, the three dancers enact a kind of ritual. First, they stand casually. Then, with great precision, they slide a foot forward, pointing their toes. Their postures change \u2014 shoulders back, heads high, arms straight at their sides, hands in loose fists. A transformation happens: They are not just dancers but Irish dancers.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">\u201cThat\u2019s the very first thing we learned as kids, that posture,\u201d Butler said after a rehearsal. It is something all Irish dancers hold in their bodies, like first position in ballet.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">For fans of Irish dance, Butler \u2014 one of the dancers on the table and the creator of the show, which is at the <a class=\"css-yywogo\" href=\"https:\/\/irishartscenter.org\/event\/jean-butler-what-we-hold\" title=\"\" rel=\"noopener\" target=\"_blank\">Irish Arts Center tomorrow through March 3<\/a> \u2014 represents the epitome of the genre. As a star of \u201cRiverdance,\u201d she delighted audiences with the clarity, delicacy and airiness of her dancing. And it is because of that show, which premiered in 1995 and continues to tour, that perceptions about Irish dancing changed; it became something it had never been seen as before: exciting, even sexy.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">Butler walked away from all that in the early 2000s and remade herself as a contemporary dancer and choreographer, <a class=\"css-yywogo\" href=\"https:\/\/www.nytimes.com\/2015\/11\/19\/arts\/dance\/review-jean-butler-with-neil-martin-taps-her-roots.html?searchResultPosition=2\" title=\"\" target=\"_blank\" rel=\"noopener nofollow\">working in an introspective, pared-down, almost minimalist mode<\/a>. Now, after years of investigating a different way of moving, she has returned to Irish dance with \u201cWhat We Hold,\u201d this time through a different, more inquiring lens.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">\u201cIt\u2019s almost like every moment in the show represents something I\u2019ve experienced as a dancer,\u201d Butler said, \u201cand I hadn\u2019t even realized until I tried to articulate it.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">In 2018, she began <a class=\"css-yywogo\" href=\"https:\/\/www.our-steps.com\/dialogue\/keeping-time-an-overview-of-our-steps\" title=\"\" rel=\"noopener\" target=\"_blank\">a sprawling oral history project, \u201cOur Steps, Our Stories,\u201d<\/a> in partnership with the Jerome Robbins Dance Division of the New York Public Library. She recorded the stories of several generations of Irish dancers and filmed them as they demonstrated dances. To move their stories into the present, she also asked them to teach their old dances to a new generation of young performers.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">Nothing like it had been done before, says Linda Murray, the curator of the library\u2019s dance division, who is Irish \u2014 and whose father and grandparents were competitive Irish dancers. \u201cThere\u2019s almost nothing I can\u2019t find\u201d at the library, Murray said in an interview, \u201cexcept for my own culture. There\u2019s almost no Irish dance material in the collection. We wanted to change that.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">The voices spliced together in the table scene come from that archive. They are part of a tapestry of sounds, melodies, rhythm and electronics that have been woven together into a sound sculpture by Ryan C Seaton and Andrew Rumpler.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">The theme of retrieval and transformation runs through \u201cWhat We Hold,\u201d which premiered at the Dublin Theater Festival in 2022 with the audience guided through several floors of a Georgian mansion. In New York, at the Irish Arts Center\u2019s black box theater, it had to be rethought. The space is subdivided into separate areas through which the audience moves.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">In the show\u2019s four scenes, Butler weaves steps and postures from the past, but she also deconstructs them to their barest essentials: a position of the foot, a crossing of one knee in front of the other, a rapid 1-2-3 step that carries a dancer fleetly across the floor.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">Butler\u2019s cast of eight, ages 15 to 70, some Irish, some Irish American, includes four former \u201cRiverdance\u201d performers and a dancer with no ties to Ireland who took up Irish dance simply because she thought it looked fun.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">The first thing the audience sees \u2014 and hears \u2014 is James Greenan, 33, performing an extended step dance in hard shoes on a platform in front of two mirrors. His footwork is hard-driving and virtuosic, a kind of rhythmic theme with variations. Greenan is a former world champion on the competitive Irish dance circuit who went on to have a leading role in \u201cRiverdance\u201d for 12 years.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">The experience of practicing in front of a mirror, alone, is one every dancer knows. But Greenan said dancing a cappella, for 10 minutes, in front of dozens of people who stand just inches away, presented challenges.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">\u201cI had to work hard to sit in that simplicity and phrasing of texture and tone for that long,\u201d he said. \u201cIt\u2019s hard to strip back everything and find what\u2019s underneath.\u201d<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">The dancers\u2019 experiences and identities are woven through the show. Kaitlyn Sardin, 26, who dances on the table with Butler, is Black and from Orlando, Fla.; she first encountered Irish dancing during the intermission of one of her ballet recitals at the age of 7. \u201cI loved the fact that the Irish dancers made noise,\u201d she said in an interview, \u201cand being able to hear the rhythm because of the hard shoes, I realized I could become my own drum.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">In \u201cWhat We Hold,\u201d Sardin executes a series of calm gliding steps in unison with Butler before breaking free, moving her hips and shoulders, incorporating some of the fluidity and swing of hip-hop, a dance form she began exploring in college. \u201cWe build off of each other,\u201d Sardin said of Butler, \u201cand she gave me an open floor to try things.\u201d<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">Tom Cashin, 70, is both a participant in the oral history project and a dancer in \u201cWhat We Hold.\u201d For the archive, he was asked to recall a hornpipe dance that he learned in Brooklyn in the 1960s from his teacher, Jimmy Erwin, set to a song called \u201cKilkenny Races.\u201d And even though Cashin, who is the oldest dancer in the show, stopped performing Irish dance nearly five decades ago, he found that he remembered it all. A part of that dance is in \u201cWhat We Hold.\u201d (It is the only part of the show not choreographed by Butler.)<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">\u201cIt was alarming and a little emotional,\u201d Cashin said, \u201cthat I would hear some music and start doing steps I haven\u2019t thought about since I was a teenager.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">Also in the New York edition of the show is Colin Dunne, once Butler\u2019s co-star in \u201cRiverdance.\u201d Though it is their first time dancing together in more than 20 years, it was clear in a rehearsal that they knew each other so well they could almost intuit what the other would do next. The memory of dancing with each other hasn\u2019t left them.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">So much of \u201cWhat We Hold\u201d is about memory and how it is stored in the body. \u201cThere\u2019s this time-bending quality of past, present and future coming together,\u201d Butler said, \u201cand an expression of love that happens when people dance together.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">In the final section, the dancers come together and find a common ground through the steps, despite differences in age, background and ways of moving. \u201cWe\u2019re performing the archive,\u201d Butler said. By performing it, they bring it into the present, inviting the audience into their world.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">Irish dance \u201cis our house,\u201d she added. \u201cIt\u2019s a big house, with lots of people. Come on in.\u201d<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<p><a href=\"https:\/\/www.nytimes.com\/2024\/02\/13\/arts\/dance\/jean-butler-choreographs-irish-dance.html\" target=\"_blank\" rel=\"noopener nofollow\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Halfway through Jean Butler&rsquo;s &ldquo;What We Hold,&rdquo; the audience is invited to sit at a long table surrounded by 50 chairs, as<br \/><button class=\"read-more\"><a href=\"https:\/\/newssprinters.com\/index.php\/entertainment\/jean-butler-choreographs-the-past-and-future-of-irish-dance\/13\/02\/2024\/\">Read More &rsaquo;<\/a><\/button><\/p>\n","protected":false},"author":1,"featured_media":19842,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[9],"tags":[],"_links":{"self":[{"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/posts\/19840"}],"collection":[{"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/comments?post=19840"}],"version-history":[{"count":0,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/posts\/19840\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/media\/19842"}],"wp:attachment":[{"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/media?parent=19840"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/categories?post=19840"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/tags?post=19840"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}