{"id":25666,"date":"2024-04-03T18:15:43","date_gmt":"2024-04-03T22:15:43","guid":{"rendered":"https:\/\/newssprinters.com\/index.php\/entertainment\/for-len-cariou-dying-onstage-each-night-has-been-invigorating\/03\/04\/2024\/"},"modified":"2024-04-03T18:15:43","modified_gmt":"2024-04-03T22:15:43","slug":"for-len-cariou-dying-onstage-each-night-has-been-invigorating","status":"publish","type":"post","link":"https:\/\/newssprinters.com\/index.php\/entertainment\/for-len-cariou-dying-onstage-each-night-has-been-invigorating\/03\/04\/2024\/","title":{"rendered":"For Len Cariou, Dying Onstage Each Night Has Been \u2018Invigorating\u2019"},"content":{"rendered":"<p>\n<\/p>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">Chris Domig was ready to throw in the towel.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">After a year-and-a-half-long search, a church chapel in Gramercy Park was the only affordable space Domig, the artistic director of the Off Off Broadway company <a class=\"css-yywogo\" href=\"https:\/\/www.seadogtheater.org\/\" title=\"\" rel=\"noopener\" target=\"_blank\">Sea Dog Theater<\/a>, had been able to find to mount a production of \u201c<a class=\"css-yywogo\" href=\"https:\/\/www.seadogtheater.org\/tuesdayswithmorrie\" title=\"\" rel=\"noopener\" target=\"_blank\">Tuesdays With Morrie<\/a>.\u201d Chairs would have to be arranged on a set of risers on the altar. The props would be a piano, a couple of chairs, a walker and a wheelchair.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">The company also had almost no advertising budget.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">But it did have Len Cariou, an elder statesman of the theater who in 1979 won a Tony Award for originating the role of Sweeney Todd on Broadway. He would play Morrie, a former sociology professor who, after receiving a diagnosis of amyotrophic lateral sclerosis, or A.L.S., reconnects with one of his students in what becomes a series of weekly meetings.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">Cariou, also known for his turns in musicals like \u201cA Little Night Music\u201d and \u201cApplause,\u201d had been taken with the character of Morrie ever since he read the 1997 memoir by Mitch Albom on which the 2002 play is based.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">\u201cI said, \u2018One day, I\u2019d love to play that part,\u2019\u201d Cariou, 84, said last month during a joint interview with Domig at St. George\u2019s Episcopal Church, where the recently extended \u201cTuesdays With Morrie\u201d is set to run through April 20. \u201cIt\u2019s such a rich role in a show that asks, \u2018What if despair and death are not the end? What if there\u2019s something more?\u2019\u201d<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">But one major hurdle remained, Domig said: How were they going to pull off the play with only a handful of props?<\/p>\n<p class=\"css-at9mc1 evys1bk0\">Cariou didn\u2019t miss a beat.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">\u201cLen was just like, \u2018You know what, we don\u2019t need any of this,\u2019\u201d Domig said. \u201c\u2018We can do it as a memory play that takes place in Morrie\u2019s head.\u2019\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">That attitude is typical of Cariou, said Erwin Maas, the director of \u201cTuesdays With Morrie\u201d and Cariou\u2019s longtime friend and neighbor in West New York, N.J. \u201cHe doesn\u2019t need a big theater or feel like anything is beneath him,\u201d Maas said in a recent phone conversation. \u201cWhat drives him is a passion for the work.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">During his more than six-decade stage and screen career, Cariou has also played the disgraced <a class=\"css-yywogo\" href=\"https:\/\/www.nytimes.com\/2017\/12\/19\/obituaries\/cardinal-bernard-law-dead.html\" title=\"\" target=\"_blank\" rel=\"noopener nofollow\">Cardinal Bernard Law<\/a> in the 2015 film \u201cSpotlight,\u201d and, for 14 seasons and counting, starred as a former New York City Police commissioner on CBS\u2019s \u201cBlue Bloods.\u201d<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">But the challenge of playing Morrie is that it isn\u2019t a role that\u2019s easy to leave at the stage door each night. Many older actors, Domig said, might be reluctant to grapple with a subject \u2014 facing the end of life with grace \u2014 that might hit a little too close to home.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">But for Cariou? \u201cIt was easy,\u201d he said.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">\u201cIt\u2019s kind of like what Morrie says in the play when he gets the news that he has A.L.S.,\u201d he continued. \u201cHe says, \u2018I asked myself, am I going to withdraw from the world, like so many people do, or am I going to live?\u2019 And he decides, \u2018I\u2019m going to live as long as I have left.\u2019 And that\u2019s pretty much what I\u2019m doing.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">Domig, who plays Morrie\u2019s former student, Mitch, opposite Cariou each night, just shook his head.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">\u201cIt\u2019s such a courageous performance,\u201d he said. \u201cLen has no fear about saying, \u2018Let\u2019s see where this lives in me.\u2019\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">After rereading the play during the pandemic, Domig said, he had been struck by its rawness and candor. He enlisted Cariou and Maas in 2022 for what was initially a one-night reading of the play in the basement of the church.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">Around 60 people sat in folding chairs in the church basement, with Cariou and his wife supplying wine for the reception afterward. \u201cEveryone was in tears at the end,\u201d Domig said. \u201cI had person after person tell me, \u2018You guys should do this play as a production.\u2019\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">Asking Cariou \u2014 who was shooting scenes for \u201cBlue Bloods\u201d during the day \u2014 to do a one-night reading was one matter, but enlisting him for a full run was another. (Domig knew, he said, that whatever he could manage to pay Cariou for an Off Off Broadway production could in no way compare with a TV contract \u2014 but that didn\u2019t seem to matter. \u201cWe wrote him a check for $100 for doing the reading,\u201d Domig said. \u201cBut in the end, he didn\u2019t cash it.\u201d)<\/p>\n<p class=\"css-at9mc1 evys1bk0\">Plus, Domig knew he had something special on his hands \u2014 and hoped Cariou thought so, too. He made the ask.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">And Cariou said: <em class=\"css-2fg4z9 e1gzwzxm0\">Yes.<\/em><\/p>\n<p class=\"css-at9mc1 evys1bk0\">He was not, it turned out, dissuaded by the play\u2019s frank discussions about dying \u2014 even as someone who was himself in his twilight years.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">\u201cYou\u2019re fighting the age question,\u201d he said. \u201cMorrie\u2019s in his 70s when this happens, so I said, \u2018Well, then I\u2019ll be in my 70s.\u2019 That\u2019s what you have to tell yourself.\u201d<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">Neither was he fazed by the demands of remaining onstage for the entirety of a 90-minute show,<strong class=\"css-8qgvsz ebyp5n10\"> <\/strong>six times a week, while raging, screaming, sobbing, falling out his wheelchair and inhabiting the body of a man suffering from progressive respiratory failure.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">\u201cI\u2019ve found it invigorating,\u201d Cariou said. \u201cThe muscles you need to do a play are ones you must use. It\u2019s like when Morrie talks about having A.L.S.: When your muscles no longer get the message, they wither and die. I\u2019m making sure the message does get through to mine.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">Domig interjected: \u201cThere have been multiple days he\u2019s on set for \u2018Blue Bloods,\u2019 and then he comes and does this show. He has incredible energy and stamina \u2014 he\u2019s concerned about my energy and whether I\u2019m getting enough sleep!\u201d<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">Cariou\u2019s commitment to his craft is no surprise to his former \u201cSweeney Todd\u201d castmate Victor Garber, who, along with <a class=\"css-yywogo\" href=\"https:\/\/www.nytimes.com\/2022\/10\/11\/arts\/angela-lansbury-dead.html\" title=\"\" target=\"_blank\" rel=\"noopener nofollow\">Angela Lansbury<\/a>, appeared with Cariou in the original Broadway production.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">\u201cBeing in the rehearsal room with Len Cariou and Angela Lansbury; I couldn\u2019t imagine anything greater,\u201d Garber, 75, said in a phone conversation. \u201cWatching Len and Angela do \u201cA Little Priest\u201d at the end of Act I will never be equaled.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">\u201cLen is a consummate actor; he lives and eats and breathes it,\u201d he added. \u201cIt\u2019s lucky for New York he\u2019s doing it.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">\u201cTuesdays With Morrie\u201d sold out the final 11 performances of its original three-week run, and the first show of its extension.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">\u201cWe\u2019ve had quite a few young people in the audience, and I think they\u2019re surprised how much it resonates with them,\u201d Cariou said. \u201cAnd the same goes for their parents, the adults. They\u2019re reminded of a mentor or a teacher they had growing up who influenced or inspired them, and who, like Mitch, they may never have seen again.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">Others, though, who have read the book, Domig said, have told him they are apprehensive about seeing the show, either because they have recently lost a loved one or because someone close to them is going through a similar struggle.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">\u201cYes, the man dies at the end every night,\u201d Domig said he tells them. \u201cBut the way he goes on that journey \u2014 the resilience and joy and encouragement and hope along the way \u2014 it doesn\u2019t get more essential than that.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">The show is slated to run a few more weeks, though Domig hopes that may not be the end of its life.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">\u201cWe\u2019re happy to do it as long as people show up,\u201d he said. \u201cAnd if I could somehow conceive of a Broadway transfer \u2026\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">Well, that\u2019d be just fine with Cariou.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">\u201cI\u2019m going to play whatever I can, for as long as I can,\u201d he said.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<p><a href=\"https:\/\/www.nytimes.com\/2024\/04\/03\/theater\/len-cariou-tuesdays-with-morrie.html\" target=\"_blank\" rel=\"noopener nofollow\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Chris Domig was ready to throw in the towel. After a year-and-a-half-long search, a church chapel in Gramercy Park was the only<br \/><button class=\"read-more\"><a href=\"https:\/\/newssprinters.com\/index.php\/entertainment\/for-len-cariou-dying-onstage-each-night-has-been-invigorating\/03\/04\/2024\/\">Read More &rsaquo;<\/a><\/button><\/p>\n","protected":false},"author":1,"featured_media":25668,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[9],"tags":[],"_links":{"self":[{"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/posts\/25666"}],"collection":[{"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/comments?post=25666"}],"version-history":[{"count":0,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/posts\/25666\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/media\/25668"}],"wp:attachment":[{"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/media?parent=25666"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/categories?post=25666"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/tags?post=25666"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}