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Twenty years ago, the Ultimate Fighting Championship was on life support. Broadcasters scoffed at the idea of televising half-naked men pummeling each other inside a caged octagon, engaged in a sport where broken bones and dislodged teeth were common. Venues closed their doors and advertisers their wallets.<\/p>\n
The extreme violence meant there was no way to monetize the mixed martial arts promotion, Kevin Kay, who was then an executive at Spike TV, explained to the U.F.C.\u2019s owners and its president, Dana White, in a 2004 meeting.<\/p>\n
\u201cI really like it but I don\u2019t see how I\u2019m going to get Budweiser to put their logo on the mat when there\u2019s blood on it,\u201d Kay recalled saying.<\/p>\n
This weekend, T-Mobile Arena on the Las Vegas Strip will host U.F.C. 300, a pay-per-view milestone for a sport that was once effectively banned from television. And it has television to thank for its longevity.<\/p>\n<\/div>\n<\/div>\n
After being spurned by networks large and small, the U.F.C. leadership devised a last-ditch plan to become profitable: a reality TV show in which 16 athletes would live together in a Las Vegas house, training and fighting one another with a six-figure contract on the line.<\/p>\n
If it did not work, the U.F.C. would crater.<\/p>\n
But the first season of \u201cThe Ultimate Fighter,\u201d which aired on Spike TV in 2005, succeeded in humanizing the athletes as actual people instead of mindless punching bags. Viewers appreciated the behind-the-scenes looks at training regimens and cutting weight.<\/p>\n
\u201cIt gave the sport a face and an emotion that most people didn\u2019t know it had,\u201d said Craig Piligian, an executive producer on \u201cSurvivor\u201d who helped the U.F.C. refine its premise for \u201cThe Ultimate Fighter.\u201d \u201cThat\u2019s what really turned the tide.\u201d<\/p>\n
The U.F.C. is now a lucrative live event and entertainment entity \u2014 it was purchased for $4 billion<\/a> in 2016 \u2014 and has sold out arenas like Madison Square Garden and the O2 in London. It is expected to command billions of dollars in negotiations next year as its media rights agreement with ESPN expires. ESPN will begin airing the 32nd season of \u201cThe Ultimate Fighter\u201d in June.<\/p>\n<\/div>\n<\/div>\n It was a long journey to U.F.C. 300, however, for a sport that was once the scourge of politicians and considered too risky for television networks.<\/p>\n<\/div>\n<\/div>\n In 1996, three years after the U.F.C.\u2019s first event, Senator John McCain called mixed marital arts \u201chuman cockfighting\u201d and sent letters to all 50 state governors imploring them to prohibit it. Most states instituted bans, and many major cable providers refused to air the fights. The U.F.C. withered as it relied on venues in smaller metros like Cedar Rapids, Iowa, and Lake Charles, La.<\/p>\n Nearing bankruptcy in 2001, its owners sold the company to Frank and Lorenzo Fertitta, who grew wealthy as casino operators, for $2 million. They gave White, their longtime friend and a former boxing manager, a 10 percent ownership stake and installed him as president<\/a>.<\/p>\n<\/div>\n<\/div>\n Later that year, New Jersey adopted a unified rule set<\/a>, banning blows to the back of the head and spine or strikes to the throat, ahead of other states following suit. The Fertittas estimated that their investment<\/a> in the company was nearly $40 million, yet it remained unprofitable. Television networks still turned up their noses.<\/p>\n<\/div>\n<\/div>\n \u201cIt just was seen as alternative, over-the-top and not the usual conservative stick-and-ball movement we had been accustomed to airing on our platforms\u201d said Mark Shapiro, an executive at ESPN in the early 2000s who is now the president of TKO, the U.F.C.\u2019s parent company<\/a>. \u201cIt wasn\u2019t ready for prime time. It wasn\u2019t critical mass.\u201d<\/p>\n Quickly losing options, the Fertittas and White met with Spike TV, a niche channel whose programming targeted male viewers. White was energetic during an hourlong meeting, Kay said, \u201cpounding on the table\u201d and saying that the U.F.C. would be bigger than the N.F.L. But they left without a deal.<\/p>\n<\/div>\n<\/div>\n Frustrated, the U.F.C.\u2019s leadership enlisted Piligian, who had worked with the Fertittas on the Discovery Channel series \u201cAmerican Casino.\u201d He had discussed a fighting reality show concept with them in the past and helped develop a format similar to \u201cSurvivor.\u201d<\/p>\n The contestants would live together in close quarters for nearly 60 days, and compete in challenges like obstacle races before fighting one another. Two of the U.F.C.\u2019s biggest stars, Chuck Liddell and Randy Couture, would serve as coaches.<\/p>\n \u201c<\/em>These guys wake up in the morning and are across the table from each other eating Rice Krispies, and then they have to fight in the afternoon \u2014 that\u2019s difficult,\u201d said Piligian, now the managing director of Lionsgate\u2019s alternative television division. He added, \u201cIt was a tried-and-true format we knew would be a pressure cooker.\u201d<\/p>\n<\/div>\n<\/div>\n Piligian and U.F.C. leadership pitched the revised idea to Spike TV executives in Los Angeles. Kay said the format was appealing to the network because it would teach the audience about mixed martial arts, which combines unarmed combat forms like boxing, wrestling and jujitsu.<\/p>\n \u201cThey\u2019ll see that it\u2019s not just guys in a cage beating each other and blood all over the place,\u201d <\/em>Kay said.<\/p>\n But budget constraints prevented Spike TV, which has since rebranded as Paramount Network<\/a>, from immediately starting production. The Fertittas provided $10 million to cover costs, but decided they would no longer invest in the U.F.C. if the season failed.<\/p>\n The show was a success, averaging at least 1.9 million viewers weekly<\/a> from its inception through 2008. Some fighters inside the home drunkenly bickered with each other, similar to reality shows such as \u201cThe Bachelor.\u201d Contestants fought on a blue canvas devoid of sponsorships, a stark contrast to the Monster Energy, Modelo and DraftKings logos now emblazoned inside U.F.C. octagons.<\/p>\n Forrest Griffin had quit his job in law enforcement to join the first season of \u201cThe Ultimate Fighter\u201d and won the final fight against Stephan Bonnar in a unanimous decision. White still gave both men contracts, and Griffin participated in the U.F.C. until 2012.<\/p>\n Although he became a light-heavyweight champion in 2008, he says the most important fight of his career was the finale of \u201cThe Ultimate Fighter.\u201d<\/p>\n<\/div>\n<\/div>\n \u201cThat night I won that fight, I was a professional fighter,\u201d Griffin said. \u201cI wasn\u2019t a part-time bouncer. I wasn\u2019t a police officer who just happened to fight.\u201d<\/p>\n<\/div>\n<\/div>\n In a parking lot next to production trucks outside the fight arena, Spike TV executives and the Fertitta brothers entered a handshake agreement for a second season. The network would pay the production costs and soon began broadcasting other U.F.C. fights.<\/p>\n White declined to comment for this article, but he has previously credited the finale of the first season of \u201cThe Ultimate Fighter\u201d as the moment that salvaged the U.F.C. On a podcast last month<\/a>, White called it \u201cthe most perfect fight at the most perfect time.\u201d<\/p>\n The bout catapulted the expansion of the U.F.C., which soon bought rival companies and in 2011 signed a $700 million contract with Fox Sports. The U.F.C. aggressively lobbied state politicians<\/a> to regulate the sport, and in 2016, New York became the last state to lift its ban on mixed martial arts. Two years later, ESPN signed a $1.5 billion agreement with the U.F.C.<\/p>\n Matt Kenny, the vice president of programing and acquisitions for ESPN, said in an email that the network partnered with the company to bolster its young ESPN+ streaming service, and to capitalize on the U.F.C.\u2019s \u201cdiverse, affluent and digitally native\u201d fan base.<\/p>\n Decades earlier, that fan base was irrelevant to the same television channel.<\/p>\n<\/div>\n<\/div>\n