{"id":26581,"date":"2024-04-15T09:31:24","date_gmt":"2024-04-15T13:31:24","guid":{"rendered":"https:\/\/newssprinters.com\/index.php\/entertainment\/at-harlem-stage-bringing-downtown-dance-uptown\/15\/04\/2024\/"},"modified":"2024-04-15T09:31:24","modified_gmt":"2024-04-15T13:31:24","slug":"at-harlem-stage-bringing-downtown-dance-uptown","status":"publish","type":"post","link":"https:\/\/newssprinters.com\/index.php\/entertainment\/at-harlem-stage-bringing-downtown-dance-uptown\/15\/04\/2024\/","title":{"rendered":"At Harlem Stage, Bringing Downtown Dance Uptown"},"content":{"rendered":"<p>\n<\/p>\n<div>\n<p class=\"css-at9mc1 evys1bk0\">He spoke repeatedly about the discomfort of being a \u201cguilty unicorn\u201d as a Black artist in the mostly white avant-garde. (Zane, who died in 1988, was white.) Jones told a story of being on a 1980s panel about the future of Black dance, surrounded by a pantheon of older Black dance artists, and declaring that he was an artist first and a Black man second. The pioneering Black choreographer Pearl Primus ran down the aisle and cursed him, Jones said.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">But Zollar, 74, recalled being a \u201cborder crosser,\u201d moving between the white avant-garde and a Black one, located in Harlem institutions like the dance studio of <a class=\"css-yywogo\" href=\"https:\/\/www.nytimes.com\/2024\/04\/09\/arts\/dance\/dianne-mcintyre-apollo-in-the-same-tongue.html\" title=\"\" target=\"_blank\" rel=\"noopener nofollow\">Dianne McIntyre<\/a>. \u201cI saw connectivity, but I also saw a lack of equity,\u201d she said.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">Brown, 57, quiet among the outspoken others, talked the least, but he summed up the feeling of everyone about Harlem Stage. \u201cHarlem Stage provided that safe place where you could just come in and create, without judgment or questions about who you are,\u201d he said.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">Here are some edited excerpts from the conversation:<\/p>\n<p class=\"css-at9mc1 evys1bk0\"><strong class=\"css-8qgvsz ebyp5n10\">BILL T. JONES<\/strong> Why was the avant-garde \u201cdowntown,\u201d so that Harlem Stage had to get us \u201cuptown\u201d?<\/p>\n<p class=\"css-at9mc1 evys1bk0\"><strong class=\"css-8qgvsz ebyp5n10\">PATRICIA CRUZ<\/strong> There was a climate in which the avant-garde developed downtown, just as Harlem had been the place for the Harlem Renaissance. I also think there was an unstated conservative element in the Black community.<\/p>\n<p class=\"css-at9mc1 evys1bk0\"><strong class=\"css-8qgvsz ebyp5n10\">JAWOLE WILLA JO ZOLLAR<\/strong> There was a very strong Black avant-garde \u2014 in the music, in the visual arts, in poets like Ntozake [Shange] and in dance at Dianne McIntyre\u2019s space. But there was segregation, and some rigid ideologies that kept the segregation in place.<\/p>\n<p class=\"css-at9mc1 evys1bk0\"><strong class=\"css-8qgvsz ebyp5n10\">JONES<\/strong> I didn\u2019t know about the Black avant-garde. When Arnie and I came to New York, we were looking for the cool kids. There was a loneliness being a Black face in the white avant-garde. But I thought that the Black Arts Movement people made the choice of wanting to make art with people who looked like them.<\/p>\n<\/div>\n<p><a href=\"https:\/\/www.nytimes.com\/2024\/04\/15\/arts\/dance\/harlem-stage-e-move-bill-t-jones.html\" target=\"_blank\" rel=\"noopener nofollow\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>He spoke repeatedly about the discomfort of being a &ldquo;guilty unicorn&rdquo; as a Black artist in the mostly white avant-garde. (Zane, who<br \/><button class=\"read-more\"><a href=\"https:\/\/newssprinters.com\/index.php\/entertainment\/at-harlem-stage-bringing-downtown-dance-uptown\/15\/04\/2024\/\">Read More &rsaquo;<\/a><\/button><\/p>\n","protected":false},"author":1,"featured_media":26583,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[9],"tags":[],"_links":{"self":[{"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/posts\/26581"}],"collection":[{"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/comments?post=26581"}],"version-history":[{"count":0,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/posts\/26581\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/media\/26583"}],"wp:attachment":[{"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/media?parent=26581"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/categories?post=26581"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/tags?post=26581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}