{"id":4164,"date":"2023-11-02T22:31:53","date_gmt":"2023-11-03T02:31:53","guid":{"rendered":"https:\/\/newssprinters.com\/index.php\/entertainment\/all-the-light-we-cannot-see-review-the-blind-girl-and-the-nazi\/02\/11\/2023\/"},"modified":"2023-11-02T22:31:53","modified_gmt":"2023-11-03T02:31:53","slug":"all-the-light-we-cannot-see-review-the-blind-girl-and-the-nazi","status":"publish","type":"post","link":"https:\/\/newssprinters.com\/index.php\/entertainment\/all-the-light-we-cannot-see-review-the-blind-girl-and-the-nazi\/02\/11\/2023\/","title":{"rendered":"\u2018All the Light We Cannot See\u2019 Review: The Blind Girl and the Nazi"},"content":{"rendered":"<p>\n<\/p>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">Marie-Laure and Werner, the destined soul mates who will eventually meet in the Netflix mini-series <a class=\"css-yywogo\" href=\"https:\/\/www.nytimes.com\/2023\/10\/18\/arts\/television\/all-the-light-we-cannot-see-adaptation.html\" title=\"\" target=\"_blank\" rel=\"noopener nofollow\">\u201cAll the Light We Cannot See,\u201d<\/a> are on opposite sides of a cataclysmic divide. She is a French teenager delivering coded radio messages to the Allied bombing command in World War II; he is a young Nazi radio technician assigned to track her down in her Saint-Malo garret, as the bombs rain and American troops close in.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">But in keeping with the sweepingly romantic, idealistic bent of the series and of the best-selling <a class=\"css-yywogo\" href=\"https:\/\/www.nytimes.com\/2014\/04\/29\/books\/all-the-light-we-cannot-see-by-anthony-doerr.html\" title=\"\" target=\"_blank\" rel=\"noopener nofollow\">Anthony Doerr novel<\/a> on which it is based, Marie-Laure and Werner have much in common. Both have met challenges \u2014 she is blind, he spent his childhood in an orphanage \u2014 and emerged tough and resourceful; Werner is a radio prodigy and Marie-Laure\u2019s senses of touch, smell and hearing are extraordinary. And they share a mentor, an anonymous broadcaster named the Professor whose lessons, including, \u201cthe most important light in the world is the light you cannot see,\u201d have helped to shape their characters.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">These two paragons provide the framework for a deluxe iteration of the wartime melodrama and triumph-of-the-spirit tale, <a class=\"css-yywogo\" href=\"https:\/\/www.nytimes.com\/2014\/12\/27\/books\/anthonys-doerrs-all-the-light-we-cannot-see-hits-it-big.html\" title=\"\" target=\"_blank\" rel=\"noopener nofollow\">as imagined by Doerr<\/a> and adapted for television by the screenwriter Steven Knight (\u201cPeaky Blinders\u201d) and director Shawn Levy (\u201cNight at the Museum\u201d). Marie-Laure and Werner are little people whose problems, when romanticized and cliffhanger-ized, amount to more than a hill of beans.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">Their story has a foreground of suspense, terror and bloody violence but is elastic enough to include the search for a fabled gem said to confer a curse on the loved ones of anyone who touches it. Marie-Laure is supplied with not one but two lovable father figures: her actual father, who builds elaborate models of their neighborhoods so that she can memorize the streets, and his uncle, a hero of the World War I trenches whose ugly memories have kept him from leaving his house for 20 years.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">If that makes the series sound dangerously cheesy and sentimental, well, it is those things, though not in fatal doses. There are melodramatic excesses \u2014 primarily involving a rotating cast of variously rabid Nazi officers \u2014 and convenient lapses of logic, but there is an overall level of restraint and wit in Knight\u2019s screenplay that keeps \u201cAll the Light\u201d from tilting completely over into shamelessness. If you are amenable to being manipulated in the service of an emotional workout, you probably won\u2019t feel bad in the morning. And the production, filmed on location in France and Hungary, and involving a lot of nighttime battle special effects, is easy on the eyes.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">The problem isn\u2019t the material\u2019s sentimentality or superficiality; it\u2019s what has happened to the material in the process of being compressed into a relatively scanty (for Netflix) four episodes. The series feels starved of narrative oxygen, of the kind of texture and detail (present in the book) that could give it real life.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">One result of this is an overemphasis on the theme embedded in the title \u2014 the light that lives inside Marie-Laure and the story\u2019s other heroes, the light of reason that is snuffed during wartime, the light of our true selves that we must sometimes hide in order to stay alive. Doerr\u2019s entertaining and intricate novel wasn\u2019t one that called out for Cliffs Notes. On the other hand, there\u2019s no guarantee that had the series been longer it wouldn\u2019t just have been more of the same.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">Even when they are asked to spit and sputter, the German and Austrian actors playing the Nazis are the class of the production, including Louis Hofmann (of the Netflix series \u201cDark\u201d) as Werner and Lars Eidinger as the sadistic officer von Rumpel. Oddly, there are no French performers in prominent roles. The blind American actress Aria Mia Loberti, making her film debut as Marie-Laure, is likable, intelligent and a bit bland; Mark Ruffalo, as Marie-Laure\u2019s father, strains with intermittent success for Gallic soulfulness. Hugh Laurie fares best, giving melancholy substance to the uncle, Etienne. But when he and Ruffalo offer each other a toast of \u201cVive la France,\u201d all you can say is \u201cOh mon Dieu.\u201d<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<p><a href=\"https:\/\/www.nytimes.com\/2023\/11\/02\/arts\/television\/all-the-light-we-cannot-see-review.html\" target=\"_blank\" rel=\"noopener nofollow\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Marie-Laure and Werner, the destined soul mates who will eventually meet in the Netflix mini-series &ldquo;All the Light We Cannot See,&rdquo; are<br \/><button class=\"read-more\"><a href=\"https:\/\/newssprinters.com\/index.php\/entertainment\/all-the-light-we-cannot-see-review-the-blind-girl-and-the-nazi\/02\/11\/2023\/\">Read More &rsaquo;<\/a><\/button><\/p>\n","protected":false},"author":1,"featured_media":13450,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[9],"tags":[],"_links":{"self":[{"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/posts\/4164"}],"collection":[{"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/comments?post=4164"}],"version-history":[{"count":0,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/posts\/4164\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/media\/13450"}],"wp:attachment":[{"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/media?parent=4164"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/categories?post=4164"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/tags?post=4164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}