{"id":42811,"date":"2025-02-05T15:03:05","date_gmt":"2025-02-05T20:03:05","guid":{"rendered":"https:\/\/newssprinters.com\/index.php\/entertainment\/stephen-petronio-is-disbanding-his-dance-company\/05\/02\/2025\/"},"modified":"2025-02-05T15:03:05","modified_gmt":"2025-02-05T20:03:05","slug":"stephen-petronio-is-disbanding-his-dance-company","status":"publish","type":"post","link":"https:\/\/newssprinters.com\/index.php\/entertainment\/stephen-petronio-is-disbanding-his-dance-company\/05\/02\/2025\/","title":{"rendered":"Stephen Petronio Is Disbanding His Dance Company"},"content":{"rendered":"<p>\n<\/p>\n<div data-testid=\"companionColumn-0\">\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">A little more than 40 years after its founding, <a class=\"css-yywogo\" href=\"https:\/\/petron.io\/\" title=\"\" rel=\"noopener\" target=\"_blank\">the Stephen Petronio Company<\/a> is disbanding, it announced on Wednesday. The dance troupe will have its final performances at the Jacob\u2019s Pillow Dance Festival in July.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">\u201cIt\u2019s been a wild, beautiful ride,\u201d Petronio, 68, said in a phone interview. \u201cThis is the Year of Snake, and it\u2019s time to shed what doesn\u2019t work anymore and move forward.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">What doesn\u2019t work anymore, Petronio said, is what he has been doing for decades: sustaining a company of dancers through touring and grants. \u201cThere wasn\u2019t enough work for the dancers,\u201d he said. \u201cThe people that had presented us were beginning to disappear, and the funding for those presenters was beginning to shift.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">The breakdown of what is sometimes called \u201cthe company model\u201d has been happening for many years, but it was accelerated by the Covid-19 pandemic and, in response to the murder of George Floyd, a displacement of dance funding into social justice projects.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div data-testid=\"companionColumn-1\">\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">\u201cA lot of company leaders decided this well before I did,\u201d Petronio said. \u201cI was determined to ride it as long as possible.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">When Petronio founded the company in 1984, he did so in a very different cultural environment. The first male member of the Trisha Brown Dance Company, he was following a tradition of branching off on his own, extending a lineage. He developed his own movement style: complex and erotic, well-crafted yet unpredictable. (In his 2014 memoir, \u201cConfessions of a Motion Addict,\u201d he called himself \u201ca formalist with a dirty mind.\u201d) And he became known for collaborations with celebrities from the worlds of art, music and fashion, like Cindy Sherman, Lou Reed, Rufus Wainwright and Tara Subkoff\/Imitation of Christ.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">In a <a class=\"css-yywogo\" href=\"https:\/\/www.nytimes.com\/2010\/04\/29\/arts\/dance\/29petronio.html?searchResultPosition=11\" title=\"\" target=\"_blank\" rel=\"noopener nofollow\">2010 New York Times review<\/a> of one of his company\u2019s 25 seasons at the Joyce Theater, Roslyn Sulcas called Petronio \u201cone of the few contemporary choreographers to have created an instantly recognizable style and also a substantial oeuvre.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">By 2014 Petronio wanted to expand, so <a class=\"css-yywogo\" href=\"https:\/\/www.nytimes.com\/2014\/08\/20\/arts\/dance\/petronio-company-to-perform-other-choreographers-works.html?searchResultPosition=27\" title=\"\" target=\"_blank\" rel=\"noopener nofollow\">he created the Bloodlines project<\/a>, reviving work by choreographers he saw as his artistic forebears: Trisha Brown, Merce Cunningham, Steve Paxton and others. An offshoot project, Bloodlines (future), supported up-and-coming choreographers. In 2017, the company turned a 175-acre property in the Catskills into the Petronio Residency Center, a place for it and others to rehearse.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">Then came the pandemic. \u201cActually, we weathered the pandemic pretty well,\u201d Petronio said. \u201cI kept the dancers working.\u201d But he exhausted himself, only to emerge from the pandemic and discover that many foundations had decided to focus on social justice (\u201cwhich of course I support 100 percent,\u201d he said) instead of supporting companies like his. The troupe ran out of money.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div data-testid=\"companionColumn-2\">\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\"><a class=\"css-yywogo\" href=\"https:\/\/www.nytimes.com\/2023\/06\/14\/arts\/dance\/petronio-residency-center-to-close.html\" title=\"\" target=\"_blank\" rel=\"noopener nofollow\">Selling the Catskills property<\/a> in December provided the company with sufficient funds to clear its debt and pay for a few final projects. (The 77-acre nature preserve that the company established with the Doris Duke Foundation will remain untouched.) A valedictory series of performances, bringing back repertory, will culminate at Jacob\u2019s Pillow in July. The next project is an extension of Bloodlines (future): around $500,000 to establish a fund to provide young choreographers with financial support. The company is also creating a digital archive of Petronio\u2019s work, hoping other companies will want to license it.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">Petronio himself is not done. \u201cI\u2019m not retiring,\u201d he said. \u201cI\u2019m looking forward to figuring out another way to continue making work.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">\u201cI always think I\u2019m invincible,\u201d he added. \u201cI always think, \u2018I can pull this off,\u2019 and I always have. But the world changed.\u201d<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<p><a href=\"https:\/\/www.nytimes.com\/2025\/02\/05\/arts\/dance\/stephen-petronio-dance-company-disbanding.html\" target=\"_blank\" rel=\"noopener nofollow\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A little more than 40 years after its founding, the Stephen Petronio Company is disbanding, it announced on Wednesday. The dance troupe<br \/><button class=\"read-more\"><a href=\"https:\/\/newssprinters.com\/index.php\/entertainment\/stephen-petronio-is-disbanding-his-dance-company\/05\/02\/2025\/\">Read More &rsaquo;<\/a><\/button><\/p>\n","protected":false},"author":1,"featured_media":42813,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[9],"tags":[],"_links":{"self":[{"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/posts\/42811"}],"collection":[{"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/comments?post=42811"}],"version-history":[{"count":0,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/posts\/42811\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/media\/42813"}],"wp:attachment":[{"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/media?parent=42811"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/categories?post=42811"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/tags?post=42811"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}