{"id":59581,"date":"2026-05-26T21:28:15","date_gmt":"2026-05-27T01:28:15","guid":{"rendered":"https:\/\/newssprinters.com\/index.php\/entertainment\/how-cannes-is-grappling-with-changes\/26\/05\/2026\/"},"modified":"2026-05-26T21:28:15","modified_gmt":"2026-05-27T01:28:15","slug":"how-cannes-is-grappling-with-changes","status":"publish","type":"post","link":"https:\/\/newssprinters.com\/index.php\/entertainment\/how-cannes-is-grappling-with-changes\/26\/05\/2026\/","title":{"rendered":"How Cannes Is Grappling With Changes"},"content":{"rendered":"<p>\n<\/p>\n<div id=\"site-content\">\n<div>\n<p aria-live=\"assertive\" class=\"css-1dv1kvn\">new video loaded: <!-- -->How Cannes Is Grappling With Changes<\/p>\n<div data-testid=\"video-header\">\n<header class=\"css-jgknzh\">\n<div class=\"css-1gn3fip\">\n<div class=\"css-vabf4\">\n<div class=\"css-1331l0f\"><nyt-betamax class=\"css-wkvudm\"><template shadowrootmode=\"open\" slotassignment=\"named\"><link rel=\"stylesheet\" href=\"https:\/\/static01.nyt.com\/video-static\/betamax\/player-0.2.48-CnxAEwcy.css\" crossorigin=\"\"\/><\/template><nyt-betamax-cover><template shadowrootmode=\"open\" slotassignment=\"named\"><link rel=\"stylesheet\" href=\"https:\/\/static01.nyt.com\/video-static\/betamax\/cover-0.2.48-eTrf0IGY.css\" crossorigin=\"\"\/><\/template><nyt-betamax-poster><template shadowrootmode=\"open\" slotassignment=\"named\"><link rel=\"stylesheet\" href=\"https:\/\/static01.nyt.com\/video-static\/betamax\/poster-0.2.48-BdueiXaE.css\" crossorigin=\"\"\/><\/template><\/nyt-betamax-poster><\/nyt-betamax-cover><nyt-betamax-overlay-controls><template shadowrootmode=\"open\" slotassignment=\"named\"><link rel=\"stylesheet\" href=\"https:\/\/static01.nyt.com\/video-static\/betamax\/overlay-controls-0.2.48-BN-qu2gk.css\" crossorigin=\"\"\/><link rel=\"stylesheet\" href=\"https:\/\/static01.nyt.com\/video-static\/betamax\/share-button-0.2.48-Dk6TOAo1.css\" crossorigin=\"\"\/><\/template><\/nyt-betamax-overlay-controls><nyt-betamax-ads><template shadowrootmode=\"open\" slotassignment=\"named\"><link rel=\"stylesheet\" href=\"https:\/\/static01.nyt.com\/video-static\/betamax\/ads-0.2.48-C_YVzzUG.css\" crossorigin=\"\"\/><\/template><\/nyt-betamax-ads><\/nyt-betamax><\/div>\n<div class=\"css-1r2245g\"><span class=\"css-hple31\">Reporting from the Cannes Film Festival, our film critic Alissa Wilkinson describes how the event is both fending off and embracing aspects of artificial intelligence.<\/span><\/p>\n<p>By Alissa Wilkinson and Edward Vega<\/p>\n<p>May 26, 2026<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/header>\n<\/div>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/www.nytimes.com\/video\/movies\/100000010860400\/alissa-reviews-cannes.html\" target=\"_blank\" rel=\"noopener nofollow\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>new video loaded: How Cannes Is Grappling With Changes Reporting from the Cannes Film Festival, our film critic Alissa Wilkinson describes how<br \/><button class=\"read-more\"><a href=\"https:\/\/newssprinters.com\/index.php\/entertainment\/how-cannes-is-grappling-with-changes\/26\/05\/2026\/\">Read More 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