{"id":8002,"date":"2023-11-19T21:58:03","date_gmt":"2023-11-20T02:58:03","guid":{"rendered":"https:\/\/newssprinters.com\/index.php\/entertainment\/it-seemed-to-have-it-all-9-dancers-5-guitars-5-amps\/19\/11\/2023\/"},"modified":"2023-11-19T21:58:03","modified_gmt":"2023-11-20T02:58:03","slug":"it-seemed-to-have-it-all-9-dancers-5-guitars-5-amps","status":"publish","type":"post","link":"https:\/\/newssprinters.com\/index.php\/entertainment\/it-seemed-to-have-it-all-9-dancers-5-guitars-5-amps\/19\/11\/2023\/","title":{"rendered":"It Seemed to Have It All: 9 Dancers, 5 Guitars, 5 Amps"},"content":{"rendered":"<p>\n<\/p>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">The dance started \u2014 or seemed to start \u2014 with people walking onto the stage before finding a spot and lying down. The bright, blisteringly white lights made the view murky, yet through the haze random bodies were stretched out on backs and sides, utterly limp. Above them was a suspended zeppelin: Imagine a giant balloon of a baked potato floating over 34th Street in the Macy\u2019s Thanksgiving Day Parade.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">But, really, the scene was somber. Eventually, others \u2014 dancers, recognizable by their bare feet \u2014 helped those on the floor, who turned out to be volunteers from the audience, rise to cross the stage. And some time later, they escorted them off the stage and back to their seats. In \u201c<a class=\"css-yywogo\" href=\"https:\/\/events.nyu.edu\/event\/322797-takemehome-dimitri-chamblas-kim-gordon\" title=\"\" rel=\"noopener\" target=\"_blank\">takemehome<\/a>,\u201d by the French choreographer Dimitri Chamblas in collaboration with the musician Kim Gordon of Sonic Youth, there is always a sense that something important is <em class=\"css-2fg4z9 e1gzwzxm0\">about<\/em> to happen.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">The problem with this presentation by Dance Reflections \u2014 the festival produced by Van Cleef &amp; Arpels \u2014 and NYU Skirball, where it was performed on Friday evening, is that it stays firmly planted in a nebulous, largely unenergetic middle ground.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">What seems moody soon becomes drearily drawn out in this dance, of which the premise is promising: nine dancers, five electric guitars and five amplifiers \u2014 and Kim Gordon! (<a class=\"css-yywogo\" href=\"https:\/\/www.dimitrichamblas.com\/kim-dim\" title=\"\" rel=\"noopener\" target=\"_blank\">She and Chamblas have worked together since 2018<\/a>.) I was excited for some noise, but earplugs weren\u2019t needed for \u201ctakemehome,\u201d which was dominated by prolonged silence or near silence; at times, Gordon\u2019s voice, vocalizing sounds or a whispering, anguished \u201ctake me home,\u201d cut through the air with an imploring urgency.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">As the dancers shifted from states of action to stillness, they continually retreated to winding, improvisatory-seeming solos, which pegged them as loners or, as a program note compared them to, shadows: \u201cThe forgotten ones of the great metropolises: prisoners, elders, unproductive ghosts, the neglected, the indecisive.\u201d<\/p>\n<p class=\"css-at9mc1 evys1bk0\">Certainly Chamblas \u2014 who <a class=\"css-yywogo\" href=\"https:\/\/www.nytimes.com\/2023\/06\/23\/insider\/a-dance-critic-visits-an-extraordinary-stage.html\" title=\"\" target=\"_blank\" rel=\"noopener nofollow\">created a contemporary dance program<\/a> at a maximum-security prison in California \u2014 has an understanding of the despair and sorrow that isolation brings. Even some of the work\u2019s inertia makes sense. The ghosts of \u201ctakemehome\u201d are embodied by his dancers, dressed in streetwear separates, as they dip in and out of manic states, sometimes clawing at the air as their audible breath echoes across the gloomy stage.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">When the dancers in \u201ctakemehome\u201d do get going, their energetic shifts lead to quick sprints, rapid fire jumps, far-flung limbs, but there is also much slow motion, in which bodies lean back and drag forward as if suspended by strings. Lately it seems that European contemporary dance, at least from France, has a thing for slow motion. Sometimes I wonder if it\u2019s a subconscious way of willing those in the world to take a much-needed pause. Choreographically, however, it\u2019s getting stale.<\/p>\n<p class=\"css-at9mc1 evys1bk0\">With lighting by Yves Godin in collaboration with Virginie Mira, the tone of the stage is largely cool as the zeppelin glows in white and pale blues. When five of the performers, some standing on the amps, pick up guitars and start to strum \u2014 they do so vigorously, their arms moving up and down to create a sheet of sound \u2014 the zeppelin turns an angry red. For a moment, the stage, full of crimson shadows, heats up.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<div>\n<div class=\"css-53u6y8\">\n<p class=\"css-at9mc1 evys1bk0\">But soon the scene ends and, once again, time, in an airless way, drags on; when the zeppelin deflates it\u2019s unintentionally comical. Dancers unhook it and remove it from the stage, paving the way for the final moment when the powerful dancer Salia Sanou is left alone, whipping his arms and hurling his agile body into the air. Leaning back, he freezes his fingertips reaching for something unseen, out of reach. The lights dim. He fades into the darkness.<\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"\/><\/div>\n<p><a href=\"https:\/\/www.nytimes.com\/2023\/11\/19\/arts\/dance\/takemehome-review.html\" target=\"_blank\" rel=\"noopener nofollow\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The dance started &mdash; or seemed to start &mdash; with people walking onto the stage before finding a spot and lying down.<br \/><button class=\"read-more\"><a href=\"https:\/\/newssprinters.com\/index.php\/entertainment\/it-seemed-to-have-it-all-9-dancers-5-guitars-5-amps\/19\/11\/2023\/\">Read More &rsaquo;<\/a><\/button><\/p>\n","protected":false},"author":1,"featured_media":13815,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[9],"tags":[],"_links":{"self":[{"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/posts\/8002"}],"collection":[{"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/comments?post=8002"}],"version-history":[{"count":0,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/posts\/8002\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/media\/13815"}],"wp:attachment":[{"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/media?parent=8002"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/categories?post=8002"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newssprinters.com\/index.php\/wp-json\/wp\/v2\/tags?post=8002"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}